•Today marks the
100th anniversary of the final day of the Republican Party convention that
ended with Taft being nominated for reelection despite Teddy Roosevelt having
won all but one of the party’s primaries.
TR’s forces bolted, creating the National Progressive Party (a.k.a. the Bull Moose Party) at an
early-August convention – splitting Republican votes in the process and putting
even-more-Progressive Woodrow Wilson in the White House
TR and Wilson are equally culpable in creating the grotesque
Progressive monster that is big government, as my former boss, Judge Andrew
Napolitano, will explain in his book Theodore and Woodrow in October. TR thought of himself as a middle-way
moderate, though, and you can actually hear his voice as he rebukes
Wilson in this 1916 speech, if you like.
As it happens, we might see something like a repeat of the
split-GOP vote outcome this November, with GOP-exiting Gary Johnson getting more votes for the Libertarian Party than
usual and many of the Ron Paul fans
likely sitting out the election instead of voting for Romney (unless perhaps
Romney makes Ron Paul’s son, Sen. Rand Paul, his v.p. running mate).
•I’ll mark this 100th anniversary by seeing the final
performance of the Teddy Roosevelt play The Moose That Roared, tomorrow at
2pm at Brick Theater in Williamsburg, if you’re tempted to join me. Tickets are $15 at their site while they last, part of their
Democracy play series. The play
reportedly contains wacky elements such as puppets.
For the real story I have the volume Bully!
written by Rick Marshall, filled with neat artifacts like passages from letters
in which TR defended himself against charges of Populism, and hundreds of
beautiful vintage cartoons of his toothy visage beset by various Trusts and
money-serpents back in the day. The book
does not shy away from the strange, such as TR building one of his election
campaigns in part around the seemingly-urgent issue of spelling reform.
(Even a libertarian must feel tempted to grant TR superhuman
status and the right to rule over other men upon reading again about such incidents
as TR giving a speech mere hours after being shot by an assassin – without even
going to the hospital – and telling the audience “It takes more than that to
kill a Bull Moose!”)
•To hold you over until seeing the play tomorrow, here’s footage of a teddy
bear being hugged by a kitten. On a
related note, here are cartoons
I did
for ACSH years ago, inspired by my childhood teddy bear, Roy.
I also composed a theme song for Roy, the lyrics of which
were: “Roy D. Bear/ He’s covered with hair/ Roy D. Bear/ He’s over there/ Roy
D. Roy D. Roy D. Bear/ Roy D. Roy D. Roy D. Roy D. Bear/ He! Don’t!
Care! (shikaboom shikaboom).”
•Needless to say, I sympathize greatly with Seth MacFarlane
creating next week’s movie Ted about an
adult male human with a walking, talking teddy bear pal left over from
childhood. It’s bound to be better than
the awful, joyless, and not-quite-worth-seeing-for-laughs Abraham Lincoln: Vampire Hunter. You watch that in amazement not so much at the visual effects or the 3D
but at the fact that somehow it got produced.
Bizarre. It reaffirms my minority
view that Wanted, by the same
director, was moronic.
The film will present a terrible dilemma to my lawyer friend
Meredith Kapushion, since she loves Alan Tudyk but really ought to skip seeing
him play Stephen Douglas here. (The film
also fills me with regret that I did not write a far more historically-accurate
screenplay, as I have considered doing, about Teddy Roosevelt’s friendship with
Bram Stoker and their shared wariness about sensualist Walt Whitman. I see someone’s
working on an Isaac Newton action hero movie, too – which I think I could
make work very well as an anime, but that’s a whole different story.)
•By contrast, I am one of the lucky few Americans who has
seen the internationally-produced, volunteer-completed, outsourced sci-fi
comedy Iron Sky, about President
Sarah Palin combating an invasion of Nazis from the Moon, and I pronounce it
awesome. It’s playing all over Europe
but for some reason has not had its purportedly-imminent U.S. release date
announced yet.
So help me, if the American distributor is wussing out
because of the movie’s darkly-ironic treatment of fascism, racism, and
presidential politics, there will be a lot of angry sci-fi nerds, and well
there should be.
1 comment:
Wanted is a thoroughly dreadful film. It was disappointing, because for the first fifteen minutes or so I thought it could turn out to be a pretty good movie. Then I realized that was going to be the apex of the film, artistically speaking.
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